About

Hailed as “the assertive mezzo” (Wall Street Journal), Carlyle Quinn has been praised for her “vocal prowess and acting acumen” (Cleveland Classical). Some of her operatic credits include Maddalena (Rigoletto), Vénus (Orphée aux enfers), Madame de la Haltière (Cendrillon), Madame de Croissy (Dialogues des Carmélites), Florence Pike (Albert Herring), Ježibaba (Rusalka), and Indiana Elliot (The Mother of Us All). She has appeared as a soloist in Mozart’s Requiem with the Lima Symphony and in recital series nationwide. A two-time Encouragement Award Winner in the Metropolitan Opera Laffont Competition, Carlyle was also a semifinalist in the Dallas Opera Guild’s Lone Star Vocal Competition. Quinn holds a Master of Music from the Cleveland Institute of Music and a Bachelor of Music from Juilliard . . .

News

. . . the assertive Mezzo Carlyle Quinn
— Heidi Waleson | The Wall Street Journal
. . . die angeblich erst 17 Jahre alte Jungstudentin [Carlyle Quinn], die sehr geschmackvoll und mit samtener Tiefe die berühmteste Gluck-Arie sang.
— Uwe Mitsching | Die Dritte Seite

Mission

I strive to be a storyteller, one who seeks to infuse age-old themes with personal experience and unique tone to engage diverse audiences yearning to be uplifted by a new wave of neoclassicism in the dramatic and vocal arts.